HDCAM-SR Workflow Guide
Avid offers a complete line of post production solutions that are designed to work hand in hand with Sony's HDCAM-SR VTR from offline to finishing to stereoscopy 3D editorial. Capture, Create and Deliver. Avid Media Composer, Avid Symphony Nitris DX and Avid DS have specific features enabling versatile efficient and reliable workflows with Sony's HDCAM-SR VTR, Stereoscopy editorial, high speed conform and mastering.
Avid Post Production Solutions: Avid Media Composer 4.x, Avid Symphony Nitris DX 4.x, Avid DS 10.x Supported Workflow* Double-speed transfer Stereoscopic 3D editorial All video frame rates including 1080/50p 60p DATA mode (DPX file transfer)
To capture HDCAM-SR material at double-speed: AVID DS
1. Ensure that the HDCAM-SR is connected to the break out box using a dual-link HD-SDI connection. 2. Set the HDCAM-SR VTR to 422DBL. 3. From the Avid DS capture window, select the right model of your VTR. (2X Capture mode) 4. Capture the clip.
Applicable HDCAM-SR VTR SRW-5800 with HKSR-5803HQ SRW-5100 with HKSR-5103 SRW-5800 with HKSR-5803HQ/5804
*Supported workflow varies for each Avid system
HDCAM-SR Workflow Guide
To capture material recorded on 3D (stereoscopic) tapes for editorial: Avid Media Composer and Avid Symphony Nitris DX
1. Ensure that the HDCAM-SR (MONITOR output) is connected to the single HD-SDI input of the Mojo DX or Nitris DX breakout box. 2. Set the HDCAM-SR VTR to 422x2 mode Field Sequence playback. 3. Capture from the capture window in Avid Media Composer. 4. Capture the clip. 5. Within the application (record and source viewer) the clips can be displayed as: ·Off(nativestereo3D) ·Lefteye ·Righteye ·Stereocheckerboard ·Stereointerlaced
Note:Singleeyeplaybackenablesthecreativeeditortobuildhisor hersequencewithouttheneedof3Dglasses,thusenablingafamiliarand comfortableenvironment.
6. Full screen output and playback output can either be: ·Off(nativestereo3D) ·Lefteye ·Righteye ·Stereocheckerboard ·Stereointerlaced
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